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Photography by Magdalena Wosinska and Shade Degges

Photographer and director Magdalena Wosinska wasn’t immediately sold on the tiny, abandoned adobe home in Pioneertown, Joshua Tree (population: 428). But in fear of missing out on an opportunity to put down roots in the California desert, she put an offer in on the property. She expected a six-month-long renovation, but the entire process ended up taking four years. “My first impression of the home was this is a project,” laughs designer Sarah Solis, who came onto the remodel about a year after Wosinska bought the place. “I was taken with the story of the space and the connection to the land.” 

Taking their time paid off: It allowed Wosinska and Solis to stretch the budget and carefully art direct the construction. While the owner was busy analyzing where they could carve out doors and hallways so the light could travel through the building, the designer studied up on traditional adobe craftsmanship and aimed to recreate the imperfect nature of the original plaster walls elsewhere. “This helped us tie the thread between the new and old structures,” says Solis (the kitchen, dining area, and guest bath are all additions). “We actually emulated the undulations.” Here, Solis walks us through the space—featured in full in our Fall 2020 Style Issue—and shares some of the more artful decisions they made during the reno.   

Let the Walls Sing

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Photography by Magdalena Wosinska and Shade Degges

A hand-applied plaster finish on the walls was one way Solis sought to tie the old adobe structure to the newly constructed rooms. While they did have to hire out the job, the finish was actually less expensive than Wosinska’s first idea of using American clay for the extension. The labor (it requires a specialist) and the material itself are both more costly than traditional plaster. For a modern touch, they went with brass light switches from Forbes and Lomax. “We both prefer the action of a rotary dimmer,” says the designer. “I was really excited she loved this idea.”

Keep Things Cool Underfoot

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Photography by Magdalena Wosinska and Shade Degges

Wide plank white oak hardwood runs throughout the old adobe structure. Everywhere else, the pair opted for polished concrete, a material Solis says was the biggest money-saver during the reno. Another bonus: The material, which shows up again on the kitchen counters, helps keep the desert home cool. 

Save Space with Permanent Furniture

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Photography by Magdalena Wosinska and Shade Degges

In keeping with the architectural integrity of the house, Solis opted for traditional built-in Banco furniture. Everything has its place and is integrated into the floor plan. The sofa, for instance, is first constructed out of sturdy 2x4s before being covered in a wire mesh and prepped for plaster. Solis topped it with a linen cushion made out of medium-firm foam core wrapped in down feather. 

The con, Solis notes, is pretty obvious: Once it’s set in stone, there’s no rearranging things. “But rooms of this small scale really only have one optimal layout,” she points out. The pro? Everything feels solid and connected.

Carry the Story Into the Bathroom

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Photography by Magdalena Wosinska and Shade Degges

A good chunk of Wosinska’s budget went toward the bathrooms, mostly because it made sense for her lifestyle, but also because it’s a reliable place to invest if you want to increase a home’s value. That’s not to say the designer opted for basic builder-grade finishes though. She infused the rooms with character by bringing in antique sinks (the one in Wosinska’s bathroom is from the 18th-century from a vineyard in the South of France and the guest bathroom has a 19th-century basin sourced from a kitchen in Provence). 

“Magda had originally been thinking of doing floating concrete, but I wanted something with story and history,” says the designer. The fixtures are also a nod to Wosinska’s many travels to Europe. Pieces this heavy (each weigh in at hundreds of pounds) require a steel frame system that is welded into the walls. 

Think Outside of the Boxy Window Frame

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Photography by Magdalena Wosinska and Shade Degges

All of the windows came from Anderson E Series—Solis’s go-to choice because the panels are easy to customize and the narrow wood frames compliment the home’s minimal lines. The brand also offers specialty awning windows, which the designer took advantage of in the guest bedrooms as well as in the kitchen above the sink. The furniture and layout of the rooms determined the sizes and shapes of the glass panes (peep the two that perfectly frame the built-in bench in the Wosinska’s bedroom).

The floor to ceiling windows in the detached sauna makes it feel like you’re outdoors during your session. “We wanted unobstructed views of the landscape that could still be opened,” she says of choosing operable panes. No matter where she is—the kitchen, the shower—she’ll always be bathed in shimmering desert light. 

Get the Look

Our Fall Style issue has arrived! Subscribe now to get an exclusive first look at Ayesha Curry’s Bay Area home—and discover how design can shape our world.

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