They Took an Old Wood Dresser From Brown to White With New Black Hardware

Sourced content from: https://www.homedit.com/they-took-an-old-wood-dresser-from-brown-to-white-with-new-black-hardware-s1/

Dark brown wood, drop pulls, and round knobs covered a dresser that still had plenty of usable storage. The finish made the piece look tied to another era, but the drawer layout, wide top, and curved base gave the owner little reason to replace the furniture itself.

They Took an Old Wood Dresser From Brown to White With New Black Hardware
u/MarcGunt

Reddit user u/MarcGunt treated the dresser as a refinishing project instead of a furniture replacement. The brown finish was sanded and painted white, straight black pulls and knobs replaced the old hardware, and new drawer guides addressed wear inside the piece.

The project cost between $100 and $150 for primer, paint, brushes, rollers, sandpaper, TSP, drawer guides, and handles. The result keeps the dresser’s original storage and shape while changing the surfaces and hardware that defined its dated look.

Brown Wood and Drop Pulls Defined the Original Dresser

Brown Wood and Drop Pulls Defined the Original Dresser
u/MarcGunt

Eleven drawers fill the dresser front, with wide drawers at each end and a mix of narrow and full-width drawers through the center. Dark metal drop pulls sit against the brown wood, while small round knobs mark the four narrow drawers near the top.

The dresser also has a projecting top and a shaped lower rail with curved openings near the floor. Those parts stayed, making the project a surface and hardware update rather than a rebuild.

All Drawers Came Out Before Paint

All Drawers Came Out Before Paint
u/MarcGunt

Removing the drawers exposed the wood rails, dividers, and guides inside the dresser. It also separated the 11 fronts from the case so the frame and drawers could be prepared as individual pieces.

The empty case shows how much storage the owner was keeping. Three columns of drawers occupy most of the dresser’s width, one reason refinishing the existing piece offered an alternative to buying another dresser with the same capacity.

White Paint Covered the Brown Case

White Paint Covered the Brown Case
u/MarcGunt

White paint runs across the dresser top, sides, drawer dividers, front rails, and curved base. The original construction remains visible, but the contrast between dark wood and dark hardware is gone before the drawers even return.

The owner did not use a paint sprayer. A brush and roller applied the primer and finish coats, with several layers used to build the white surface.

Drawer Fronts Received the Same White Finish

Drawer Fronts Received the Same White Finish
u/MarcGunt

The drawers were painted outside the dresser, leaving each front open for sanding, cleaning, primer, and paint. Their brown faces disappear beneath the same white used on the case.

Keeping the original drawers preserved the dresser’s mix of storage sizes. Only their exposed finish and hardware changed.

Sanding Blocks Prepared the Existing Finish

Sanding Blocks Prepared the Existing Finish
u/MarcGunt

The owner used sanding blocks rather than an orbital sander, moving from a lower grit to a higher grit. After sanding, a damp rag removed the dust before the surfaces were wiped with TSP.

This preparation gave the primer a cleaned, abraded surface without requiring the dresser to be stripped to bare wood. The brown finish was being covered rather than restored.

New Drawer Guides Addressed Wear Inside the Dresser

New Drawer Guides Addressed Wear Inside the Dresser
u/MarcGunt

Paint was only part of the work. New plastic drawer guides went onto the existing drawers, replacing small components that affect how each drawer sits and moves inside the case.

The guides were included in the project’s $100 to $150 material cost along with the visible upgrades. That kept the work focused on extending use of the dresser, not just changing its color.

Straight Black Pulls Replaced the Curved Hardware

Straight Black Pulls Replaced the Curved Hardware
u/MarcGunt

Long black bar pulls replaced the drop handles on the larger drawers. Their straight cylindrical form creates a horizontal line across each white front instead of hanging below the mounting points.

Small black knobs handle the narrow drawers at the top. Using two hardware sizes follows the existing drawer proportions instead of forcing the same pull onto every front.

Black Hardware Creates the Main Contrast

Black Hardware Creates the Main Contrast
u/MarcGunt

Against white paint, the new pull stands out as a separate geometric element. Two short posts lift the bar from the drawer face, leaving enough space to grip it without adding the curves found in the old hardware.

The change works without altering the drawer fronts themselves. Existing wood panels remain beneath the paint while the hardware supplies the dark contrast.

White Paint Changes How the Curved Base Reads

White Paint Changes How the Curved Base Reads
u/MarcGunt

With the drawers back in place, the white finish extends from the broad top to the curved openings along the base. Details that once competed with the brown grain and dark pulls now appear as part of one painted surface.

Black bar pulls break up the white drawer fronts with straight horizontal lines, creating a contrast with the curves that remain at the bottom of the dresser.

$100 to $150 Kept the Existing Dresser in Use

$100 to $150 Kept the Existing Dresser in Use
u/MarcGunt

The completed dresser provides the same 11 drawers as the brown version, but white paint and black hardware change how the piece reads in the room. No drawer was removed, the curved base remained, and the broad top kept its original dimensions.

The owner estimates spending between $100 and $150 for the entire project and worked on it during evenings over one or two weeks. The stated goal was practical: avoid the cost of a new dresser while making the existing one match the room.

Would you paint a dresser like this white or keep the brown wood grain finish?


All image credits go to Reddit user u/MarcGunt.

The post They Took an Old Wood Dresser From Brown to White With New Black Hardware appeared first on Homedit.

He Covered the Weeds Around His Tree With Clear Plastic: Gardeners Warned Him About the Roots

Sourced content from: https://www.homedit.com/he-covered-the-weeds-around-his-tree-with-clear-plastic-gardeners-warned-him-about-the-roots/

Clear plastic stretched across a patch of weeds can trap enough heat to kill unwanted plants without herbicides. The method, called soil solarization, works by warming moist soil beneath a sealed sheet during hot weather. But when the plastic covers ground around an established tree, the roots beneath it can face the same heat intended to destroy the weeds.

He Covered the Weeds Around His Tree With Clear Plastic Gardeners Warned Him About the Roots
u/Legit_Salt

Reddit user u/Legit_Salt tried the method around a Kentucky coffeetree growing in a narrow planting strip. After a week beneath the plastic, temperatures dropped from summer heat to around 70–84°F, leaving the gardener concerned that the treatment would not get hot enough to work.

The responses raised a different problem. The plastic was covering soil occupied by the tree’s roots, and increasing the heat could damage the plant the gardener wanted to keep.

Clear Plastic Covered the Weeds Beneath a Kentucky Coffeetree

The gardener lived in USDA Zone 6b and wanted to remove stubborn grass and weeds from a planting strip before adding new plants. The soil contained a high proportion of clay, and the area received direct sunlight during the morning and evening.

Clear plastic had been placed over the weeds to trap solar heat, with the intention of killing the existing growth without digging it out. After temperatures dropped, the gardener considered replacing the sheet with black plastic.

The problem was already present beneath the covering. Previous attempts to remove the weeds with a shovel had struck tree roots, while tulip bulbs growing below the surface made digging another concern.

The Heat That Kills Weeds Can Damage Tree Roots
u/Legit_Salt

The Heat That Kills Weeds Can Damage Tree Roots

Soil solarization works by allowing sunlight through transparent plastic and trapping heat near the ground. During hot summer conditions, temperatures in the upper soil can rise enough to damage weed seeds, young roots, and certain soilborne pests.

Tree roots are not confined to the ground beside the trunk. Fine roots responsible for absorbing water and nutrients spread through the upper soil, often extending beyond the canopy.

Covering that soil with plastic can expose living roots to prolonged heat. The danger depends on the temperatures reached, treatment duration, soil moisture, and root depth, but a tree’s established root zone is not an appropriate place to use solarization.

One commenter warned against heating soil over tree roots, prompting other gardeners to recommend suppressing the weeds without raising the soil temperature.

The distinction matters because the plastic does not target weeds alone. Its effect depends on heating the covered ground, including any living roots within that area.

The Gardener Chose Cardboard and Mulch Instead

Several commenters recommended covering the weeds with cardboard and adding mulch on top. This approach blocks sunlight from reaching the grass without using the concentrated solar heat required for soil solarization.

Cardboard can suppress existing vegetation as it breaks down, while an organic mulch layer reduces new weed growth and helps moderate soil moisture and temperature. The material should remain clear of the trunk and exposed root flare rather than being piled against the bark.

The gardener updated the Reddit post to confirm a change of plans: the plastic treatment would be replaced with cardboard and mulch, and planting would wait until the following year.

No damage to the Kentucky coffeetree was reported in the discussion. The case illustrates why a weed-control method intended for empty planting beds can become a risk when used over the roots of established trees and shrubs.

For open, sunny ground without existing woody roots, soil solarization remains an option. Around trees, hedges, and mature shrubs, weed suppression should avoid heating the soil that supports the plants.


Source: u/Legit_Salt’s discussion in r/gardening.

The post He Covered the Weeds Around His Tree With Clear Plastic: Gardeners Warned Him About the Roots appeared first on Homedit.

Every New Washable Rug You Should Know About

Sourced content from: https://www.domino.com/style-shopping/new-washable-rugs-2026/

We may earn revenue from the products available on this page and participate in affiliate programs.

Washable rugs have come a long way. Up until recently, your options were pretty much limited to thin flatweaves, minimal texture, and separate rug pads that required the patience of a saint to get lined up just right. Things have gotten a lot more interesting of late. We’re talking plush piles, rich textures, fringe, scalloped edges, and even built-in backings that eliminate the need for extra padding altogether.

From vintage-inspired Persians to cozy, textured neutrals, with these rugs the emphasis is just as much on how they look as how quickly they wash up. And whether you’re dealing with muddy paws, sticky little fingers, or your own inevitable coffee spills, you no longer have to choose between good design and easy cleanup.

Chris Loves Julia x Loloi Valerie Bath Mat

Rugs Direct

Chris Loves Julia x Loloi Valerie Bath Mat


$50

$30


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The latest from Chris Loves Julia and Loloi pairs this playful silhouette with a plush, ribbed texture and contrasting border that feels a little more considered than your average bath mat. And, unlike the first generation of washable selections, this one comes with nonslip backing already built in. One less thing to fuss with.

Tumble Ellis Taupe/Multi Washable Rug

Tumble

Tumble Ellis Taupe/Multi Washable Rug


$110


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A good vintage rug can make a room, but finding one in the right size, color, and condition is practically a part-time job. Tumble’s Ellis is basically a cheat code for getting that perfectly worn-in, vintage look without spending your weekends combing through estate sales. Even better, its spill-resistant surface makes clean-up a breeze in between washes.

rug
Courtesy of Quince

Quince Merrin Washable Rug

Quince

Merrin Washable Rug


$70


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Quince has entered the washable rug chat, and the Merrin makes a compelling first impression. The intricate floral pattern and contrasting border add plenty of visual interest, while its tufted construction gives it a more substantial feel than the washable rugs of the past. There’s also a spill-resistant finish here and built-in slip-resistant backing, so you can skip the separate pad altogether.

Lorena Canals Persian Red Washable Rug

Lorena Canals

Persian Red Washable Rug


$350


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Few decorating moves are as reliable as throwing a red Persian rug into the mix. It works with just about everything, from a room full of antiques to an otherwise minimalist space that needs a little something. Lorena Canals gives the classic a practical update with a machine-washable construction, so you can get that collected-over-time look without treating your floors like a museum exhibit.

Lorena Canals Color On Indigo Blue Washable Rug

Lorena Canals

Color On Indigo Blue Washable Rub


$360


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Stripes are hardly groundbreaking, but these aren’t your average Breton bands. The aptly-named Color On rug mixes contrasting hues for a slightly offbeat take on the classic pattern. The irregular spacing gives it a more relaxed, almost hand-drawn feel and the result feels more like a piece of abstract art than your typical linear rug.

Revival Colette in Beige Washable Rug

Revival

Colette in Beige Washable Rug


$199


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Part of Revival’s Garde collection, which takes inspiration from heritage Anatolian motifs, this not-so-beige beige rug features a delicate floral border and subtle variations in pile height that give it a little extra dimension. It’s also stain-resistant and machine washable, with two rug pad options to choose from depending on your preference: a standard nonslip version or a cushioned one for a bit more softness underfoot.

The post Every New Washable Rug You Should Know About appeared first on domino.

My take on Benjamin Moore's 2027 Colour of the Year – and why I'd use it in my own home as a lover of bold shades that stand the test of time

Sourced content from: https://www.idealhome.co.uk/all-rooms/webster-green-benjamin-moore-colour-of-the-year-2027

Paint brand Benjamin Moore has announced Webster Green HC-130 – ‘a quintessential green’ – as its colour of the year for 2027. It continues this year’s trend towards earthy and nature-inspired trends.

Webster Green is a confident take on green as an ultimately elegant shade, and comes hot on the heels of the shades other brands have recently named as their year-defining colour selections, including Dulux’s Soulful Sage, Little Greene’s Marle and Graham & Brown’s Rose Earth.

I’m struck by how well these different Colours of the Year complement each other, all offering a classic approach to colour that feels effortless and timeless. ‘Webster Green reflects this appeal by pairing reassuring stability with optimistic energy,’ says Helen Shaw, Director of Marketing (International) at Benjamin Moore.

Living room wall painted in Benjamin Moore's Webster Green behind a velvet rust-coloured armchair

(Image credit: Benjamin Moore)

To me, green feels like a truly British colour – one that’s woven into the history of home decorating, from the botanical greens of William Morris and the Arts & Crafts movement through to rich olive greens of mid-century modern. And sage green has long been a go-to in any well-designed modern country home. Green is a colour that’s proven itself to be reassuringly trend-proof time and time again.

Psychologically speaking, green has an immediate connection to nature that makes it feel calming and restorative. It’s a safe shade, and I definitely don’t mean that in a negative way! It can sit very comfortably in any home, whether it’s period or modern, small or large – it brings colour confidence and adds character to make any room feel supremely liveable.

Science backs up our love affair with green. Green’s the easiest colour for the human eye to process, and our eyes have evolved to make us able to see a broader range of greens than any other colour. We’re comfortable and feel at home immersed in green, and that’s why it works so brilliantly in our homes.

Green drenched panelled bedroom alcove with dressing table and table lamp

(Image credit: Benjamin Moore)

What I like about Webster Green specifically is that it’s got an intensity to it. It still offers the relaxing qualities green is so renowned for, but it has an added element of drama because it’s more richly pigmented than a classic soft sage. Pick Webster Green, and it’s going to bring energy and make a statement – something I’m always on the hunt for when choosing colours for my own home. Even better, thanks to its enduring style credentials, I won’t need to change it up when the next trend cycle rolls around!

Benjamin Moore has put together a curated palette of accompanying colours to anchor and enhance Webster Green, all of which speak to the same considered approach to grounding colours. Tawny browns (Antique Copper and Townsend Harbor Brown), dusky pastels (Wild Aster, Nelson Blue, gentle off-whites and elegant ochres are the name of the game. My verdict? This is a supremely versatile collection of colours that can be used in ways that will feel fresh and modern in any room – considered but full of character and personality.

I always feel inspired when I look at colours in a new way, and my creative brain is bursting with ideas for my own home. My hallway is crying out for a bold but elegant new look, and this palette could be exactly what I’m looking for.

What to style it with

Animal Print Is the New Checkerboard, If You Ask Lone Fox

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Drew Michael Scott, the designer and founder of Lone Fox, remembers the chevron rug craze well. “That was wild,” he says. Morris & Co. florals appear to be on everything these days, which Scott advises we could all “relax with a bit.” And while he considers checkerboard a classic pattern in most settings, he argues the high contrast versions that are popular today are “a bit overdone.” So what rug motifs is the design pro embracing these days? Animal prints.

wood paneled dining room
Courtesy of Joon Loloi

“Animal print is one of those unique elements that is both trendy and timeless,” says Scott. “There will be periods when it is ultra-trendy and times when it’s not, but it will always have a place in design.” After spotting some examples in high-end projects recently, he went looking for brands making similar pillows and rugs at affordable prices—and came up empty-handed. So, Scott approached his latest collaboration with Joon Loloi as an opportunity to bring his own abstract versions to the masses. 

dark wood dining table
Courtesy of Joon Loloi

The avid DIYer’s jungle-inspired designs span a range of colors, patterns, and fibers. The printed Rana rug loosely resembles zebra with its cream and espresso striations; the bronze and black Clarke rug presents a tiger print in a washable form; the Tahlia rug puts a plum spin on leopard spots.

The four options in his large fall collection are the perfect way to dip your toe into animal print: the colors are subtle and, from a distance, they read geometric. Plus, the floor is the perfect spot to try out a new, bold pattern. It’ll be partially covered by furniture, after all. “Even though rugs are so big and prominent, having an animal-print version feels so much less in-your-face than a bedspread or couch,” Scott argues. 

wood paneled living room
Courtesy of Joon Loloi

When styling the pieces in his own 1929 L.A. home, Scott was surprised by what he found. The hand-tufted wool Rama rug and the washable Clarke rug did not feel out of place with the historic paneling or fireplace tile, “but it gave the room just the right amount of edge,” he reveals. “I had always thought my living room felt a bit stuffy, and this graphic pattern was exactly the breath of fresh air it needed.”

Shop the Collection

Lone Fox x Joon Loloi

Rana CloudPile Printed Rug (7×9)


$299


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Lone Fox x Joon Loloi

Clarke Washable Printed Rug (7×9)


$269


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Lone Fox x Joon Loloi

Rama Hand-Tufted Wool Rug (7×9)


$799


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Lone Fox x Joon Loloi

Tahlia Printed Rug (7×9)


$369


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Lone Fox x Joon Loloi

Rana Pillow


$35


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Lone Fox x Joon Loloi

Marcus Pillow


$29


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The post Animal Print Is the New Checkerboard, If You Ask Lone Fox appeared first on domino.

The 7 Things an Interior Stylist Always Shops at ABC Home

Sourced content from: https://www.domino.com/style-shopping/best-things-to-buy-at-abc-home-2026/

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Kira Corbin has been styling interiors and props for more than 15 years, shaping countless elegant, lived-in scenes for advertising, editorial, celebrity, and lifestyle clients. The Portland-based creative is particularly attuned to material and texture, which can be seen in her own line of ceramic dinnerware and table linens, Standard Affair. We count it among our new forever faves. 

For each production, Corbin carefully sources pieces for anything from bedding and incense holders to tea towels and pillows—and a lot of it can be found at ABC Carpet & Home, one of her favorite places to pick up items. A long-time go-to for designers, ABC Home has its own in-house line of soft goods, tabletop, decor, and furniture, but it also stocks editor darlings like Ginori, Astier de Villatte, Hawkins New York, John Derian, and more.

Below, Corbin shares her top products to procure from the designer-loved and editor-trusted shop.

Astier de Villatte Ceramics

Astier de Villatte’s delicate, sculptural ceramics are a recurring part of my toolkit. They add sophisticated whimsy to a room.; a little something special and unique. I especially love the incense holders because of how artful and unique they are. The cup is a fun place to park small odds and ends like match books or dried botanicals.

abc carpet & home

Astier de Villatte Médor Incense Holder


$177


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abc carpet & home

Astier de Villatte Peggy Cup


$252


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Shelton Metal Dishes

I’m always looking for little decorative pieces that offer contrast in material and feel personal, like a tiny dish for setting on a pile of books or next to a vase on a side table, like this shell shaped dish from Shelton Metal.

abc carpet & home

Shelton Metal Small Shell Dish


$45

$29


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abc carpet & home

Shelton Metal Shell Cordial


$78

$49


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Maison de Vacances Pillows

I often need to bring a few pillows to accent a sofa or bed and I love Maison de Vacances’s colors and fabrics. They add a nice textural contrast to the often more streamlined upholstery or bedding beneath. The edge hem and zippers at the bottom give them a subtle edgy feel too, so they don’t read too flouncy.

abc carpet & home

Maison de Vacances Kilim Jacquard Pillow


$220


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abc carpet & home

Maison de Vacances Pollock Chenille Pillow


$220


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Society Limonta Blankets

Continuing on the theme of texture (a big component in my work), I love a blanket with an interesting weave and no one has as nice of a variety of colors and textures as Society Limonta. They come in throw and bed sizes so I can use them for draping over sofas or adding layers to a bed.

abc home

Society Limonta Multi Alpaca Throw


$650


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abc carpet & home

Society Limonta Ted Alpaca Throw


$450


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Artel Vases and Glassware

Flowers soften a room and make it feel more alive, so I am always bringing vases (and buckets of fresh cut stems and branches) to shoots. Artel’s glass pieces, with their vibrant colors and engraved designs, let me style flowers in an understated way. They also add dimension and interest on dining tables, side tables, and bath vanities.

abc carpet & home

Artel Round Vase, Sage


$570


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abc carpet & home

Artel Double Old Fashioned, Forest Motifs


$190


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Jan Burtz Serving Bowls

Similar to flowers, produce makes a kitchen feel more vibrant. I will often bring a large bowl and some perfect, in-season fruit or vegetable to pile into it. I like a handmade piece, like these ones from Jan Burtz, because it feels more intentional and the neutral color can work in any home.

abc carpet & home

Jan Burtz Pure White Serving Bowl


$480


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abc carpet & home

Jan Burtz Blush Serving Bowl


$260


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Linge Particular Tea Towels

These tea towels made of 100% pre-washed linen have just the right amount of rumple to look great on camera. They look classy and lightly disheveled in an honest, real life way. Some tea towels are too stiff and others so wrinkly that it’s off putting (like seeing someone’s dirty laundry).

abc carpet & home

Linge Particulier Linen Checks Dish Towel


$48


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abc carpet & home

Linge Particulier Linen Stripe Dish Towel


$48


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The post The 7 Things an Interior Stylist Always Shops at ABC Home appeared first on domino.

Tucked Behind This 1950s Cape Cod? A Modern Two-Story Barn

Sourced content from: https://www.domino.com/design-inspiration/post-company-character-studies-excerpt-jou-yie-chou-home/

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Best known for the luxurious air they bring to hospitality projects, such as Inness & Inness Bathhouse in New York’s Hudson Valley and the Lafayette Hotel & Club in San Diego, the three partners who run design firm Post Company are people just like the rest of us. To celebrate the arrival of their first monograph, Post Company: Character Studies, which chronicles some of their most compelling work, the group is sharing an exclusive feature with Domino readers: the Connecticut family home of Jou-Yie Chou, one of the group’s founding partners. It’s got all the allure of a classic Post Company project, but scaled for the everyday needs of people who like to throw dinner parties and let their kids pick their own paint colors.

Back in 2020, Jou-Yie Chou and his family decamped from their Brooklyn apartment to the greener pastures of Connecticut—specifically, Lakeville, a town in bucolic Litchfield County. Chou is the co-founder of Post Company, a design firm based in Brooklyn and Jackson, Wyoming, that also has a showroom in Lakeville. Settling down in a 1,300-square-foot Cape Cod built in the 1950s, Chou and his wife were drawn in by the house’s location adjacent to the town park. But after a couple of years of living there, it was clear the family would require additional square footage, plus amenities that better suited their proclivity for hosting.

Bookshop

Post Company: Character Studies


$65

$61


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At the top of the stairs leading to the primary suite, a vintage French cabinet from an old friend sits alongside a family-heirloom rug. Paint, Benjamin Moore, Caldwell Green.

Still, maintaining the home’s quaint street frontage was a must, even as the house doubled in size. Keeping the original house intact, Post Company—who handled the full scope of the renovation and expansion—opted to build a two-story structure in the back, uniting the volumes with a single-level hip building. Their solution makes no secret of the structure’s history: “What’s old is old, and what’s new is new,” as Chou puts it.

dining room with antique furnishings
Dining Room: Pendant, Post Company for Roll & Hill. French oak dining table, Montage Antiques. Vintage 1970s Thonet Flex chairs by Gerg Lange. Artwork by Jay Carroll. Sconces, Roll & Hill (dining room) and Fosbery Studio. The antique blanket chest was found on Facebook Marketplace.

Different architectural expressions define each one, with the addition assuming a modern, barnlike profile, and the 1950s structure retaining its original character, clapboard siding and all. The single-story hip building that connects the home’s two volumes is, fittingly, a place to mix and mingle. There, Post Company devised an entertainment-ready concept including a kitchen, mudroom, and pantry, decking out the majority of it in lively green Fireclay brick tile. In the kitchen, doubled-up appliances—dual dishwashers, burners, and sinks—are ideal for large parties.

exterior of a blue cape cod house in the snow
Exterior: The renovation of the original house included new clapboard siding and windows, while the addition extends behind it to preserve the home’s appearance from the street. Exterior paint, Benjamin Moore, Oilcloth.
Mudroom: Flooring, Fireclay Tile. Paint, Benjamin Moore, Oilcloth.

Even though the job was for a Post Company principal, the project wasn’t all that different from the firm’s typical approach, Chou says. The studio put forth options that let the family arrive at the best, most personalized solutions for their specific needs—and the studio’s penchant for collaboration got to flex here, too, with Chou bringing his kids in on some of the design decision-making. (They picked the colors for their rooms and closets—the latter of which are drenched in punchy, saturated shades of marigold and violet—and even painted their own walls.)

The stairs in the new addition lead to the primary bedroom. Floor tile, Fireclay Tile. Paint, Benjamin Moore, Caldwell Green.
Living Room: Zellige tile, Clé. Artwork by Susan Williams.

Elsewhere, Post Company deployed muted, earthy tones that set a serene mood while letting the architecture sing. The firm sourced much of the furniture and lighting fixtures from their go-to antique vendors, as well as their favorite brand collaborators, like Roll & Hill, Santa & Cole, Allied Maker, and O&G. But it’s in the primary bedroom suite, on the second floor of the new addition, that the site’s singular character comes into full view: looking onto the emerald fields of the park, the house evokes a pastoral, storybook air—with all the modern conveniences and access afforded by life in this special corner of Connecticut.

Guest Bathroom: Sink, Kohler. Fixtures, Waterworks. Light, Rejuvenation. Paint, Benjamin Moore, October Mist.
Daughter’s Room: Chou’s daughter Frankie chose the pink paint (Benjamin Moore, Pink Moiré) for her bedroom herself. Bedcover, vintage. Rug, Nanimarquina. Pendant, Schoolhouse.
Guest Bedroom: Custom bed frame, Charles P. Rogers. Table lamp, Episode. Roman shades, Neutral Curtains. Limewash, Portola,
White Smoke
.
Primary Bathroom: Fixtures, Waterworks. Sconce, Ravenhill Studio. Limewash, Portola, White Smoke.

Shop the Paints

Benjamin Moore

Caldwell Green


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Benjamin Moore

Oil Cloth


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Benjamin Moore

October Mist


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Benjamin Moore

Pink Moiré


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Portola

White Smoke Limewash


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Excerpted from Post Company: Character Studies (Monacelli 2026) by Post Company and Lila Allen, with a foreword by Sam Calagione, and editorial direction by The Slowdown.

The post Tucked Behind This 1950s Cape Cod? A Modern Two-Story Barn appeared first on domino.