8 Inviting Split-Level Homes That Changed How I Feel About the Unfavorable Layout

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As a design editor, I can appreciate almost any type of home, even when it doesn’t align with my personal style. An antique-filled Philadelphia row house? Bring on the history. A new-build with 1970s flair? Groovy. A cedar-clad cabin in Japan? Take me there, please. I hate hating on any type of architecture, which is why I surprised myself when I started my own house hunt and started praying to the real-estate Gods: Please don’t let me end up in a split-level home. 

The area where I live has split-levels to spare. Some days on Zillow, all I see are chopped-up homes with their boxy exteriors, small entryways, closed-off kitchens, worn carpets, and popcorn ceilings. The thing is, on paper, I know they’re not so bad. The staggered levels help separate noisy spaces from private ones, there’s often better natural light on the lower levels compared to most basements, and the short staircases allow you to see into adjacent rooms, creating the illusion that the small footprint is a bit larger than it really is. Maybe it wasn’t that I was fiercely against split-levels, but just that I hadn’t seen enough examples of well-designed ones. So, I went looking, and was pleasantly surprised by what I found. 

Paint the Exterior a Rich Color

green exterior
Photography by Sam Wadieh BRANDON STANLEY

Let’s start with the exterior, because that’s where my fears begin. Most of the split-level facades I’ve seen accentuate the choppy look by slapping on various materials (brick, shingles, tongue-and-groove). It turns out, if you paint everything in the same moody paint color, it can look quite modern. This L.A. house, which was renovated by the architecture firm Part Office, is painted in Behr’s Russian Olive

Stick to Fun Tile and Colorful Art in the Entry

tiled split level entry
Photography by Anna Powell Denton
living room over split level entry
Photography by Anna Powell Denton Anna Powell Denton

With most split-levels, you don’t get a grand entrance where you can set up a console table or shoe shelves. Usually, upon walking through the front door, you’re immediately greeted by a staircase. It’s not exactly a warm welcome. But this Bloomington, Indiana, home changed how I viewed the abrupt transition. The homeowners, Anna and Aaron, didn’t try to squeeze in traditional entryway furniture. Instead they went the minimal route, sticking with a graphic Block Shop tile, a Nelson Bubble pendant, and large art by Dennis Foster. A front door with a frosted glass panel helps brighten things up even more. 

Bring in Old World Texture

wood hutch in entryway
Photography by Emily Nicoara; Design by Emily Nicoara Design Studio

In her own home, Emily Nicoara removed the cap trim and curved the drywall of the partition that separates her entryway and living area. The curves mimic the silhouette of a chandelier that hangs above, as does the new scalloped handrail. 

squiggle staricase railing
Photography by Amy Bartlam; Design by Emily Nicoara Design Studio

Another problem with split-levels is that they can feel stuck in the era they were built (usually the 1960s or ’70s). To flip the script, Nicoara introduced an Old World feel by replacing the bi-fold closet with an antique hutch, lining the new wood steps with vintage runners, and draping a 17th century tapestry on the wall. 

Cozy-Up the Railings with Wood

wood split levle
Photography by Leela Cyd

Stairs, stairs, and more stairs is often what you’re looking at when you’re inside a split-level house. So why not make all those steps something worth looking at? The ones in this California home aren’t necessarily a new addition, but they’re a good reason to warm things up with natural wood if you’re re-doing the banisters. 

Create Some Headroom

limewashed interior
Photography by Jared Kuzia

Like Nicoara, designer Elisa Baran added a layer of softness to her split-level by limewashing everything. But what really turned things around in this 1,500 square foot house was blowing out the attic space, giving the newly open-concept kitchen a 20-foot-high ceiling.

Don’t Crowd a Low Kitchen with Upper Cabinets 

low kitchen with angled roof
Photography by Yoshihiro Makino; Interior Design by Landed Interiors Yoshihiro Makino

Stepping down into a kitchen with a sloped roofline, you’d expect things to feel dreary and cramped. Landed Interiors got ahead of the problem. Designating all the storage to lower cabinets keeps the room feeling airy, plus it made way for an epic tiled wall. 

Layer Shades of Wood and White

woven cord railing
Photography by Erin Little; Design by Studio Eastman
cozy seaside living room
Photography by Erin Little; Design by Studio Eastman

Not all split-levels can have water views, but they can all match this Rockport, Maine, home’s coziness with a linen slip-covered couch, rice paper pendant, fluffy sheepskin throw, and white-painted paneled ceiling. Studio Eastman didn’t forget the 1950s home roots, though, adding retro lounge chairs for good measure.

Tile the Risers 

tiled stairs
Photography by Melinda Cartmer for Chante Mer

There’s no forgetting all those steps you’ve got to take to get from point A to point B, so you might as well turn them into a statement. The renovating couple behind Chante Mer, a rental in Australia, clad their risers in stone tiles from Terra Nova. This split-level isn’t run-of-the-mill anymore. 

The post 8 Inviting Split-Level Homes That Changed How I Feel About the Unfavorable Layout appeared first on domino.

One Material Is Doing Most of the Hard Landscaping in These Gardens

Sourced content from: https://www.homedit.com/one-material-is-doing-most-of-the-hard-landscaping-in-these-gardens/

Weathering steel starts at ground level in these gardens, then keeps going. It borders flower beds, holds water, crosses gravel in narrow channels, rises into walls, and bends overhead into garden structures.

One Material Is Doing Most of the Hard Landscaping in These Gardens

The brown-orange surface ties those features together without making them look alike. Some pieces almost disappear among grasses and flowers, while others become the largest structures in the landscape.

Water Sits Inside a Steel Bowl Among the Flowers

Water Sits Inside a Steel Bowl Among the Flowers

A broad steel vessel holds a dark pool of water above the gravel, with the surface recessed inside its wide rounded rim.

Floating flowers fill much of the opening, while euphorbia, astrantia, and darker flower heads crowd the surrounding bed. Its scale makes the bowl a focal point without lifting it onto a separate pedestal.

Circular Steel Walls Define the Center of the Garden

Circular Steel Walls Define the Center of the Garden

Weathering steel takes on several jobs within the same seating area. A low circular wall holds the central planting bed, while another steel form supports the broad water bowl behind it. Raised beds along the perimeter repeat the same surface.

Oak benches and pale gravel break up the brown metal. Behind the water bowl, a tall twisted steel sculpture rises beside a stacked-stone wall, repeating the material at a much different scale.

Water and Sculpture Become One Feature

Water and Sculpture Become One Feature

The tall spiral is more than a freestanding piece of garden art. Its open steel ribbon twists upward beside the stone wall, creating a strong vertical form against the hedge.

A shallow steel bowl occupies the foreground, surrounded by silver foliage and pink flowers. Using the same material for both forms connects two objects with different proportions and purposes without matching their shapes.

Steel Channels Carry Water Across the Gravel

Steel Channels Carry Water Across the Gravel

Here, the metal leaves the flower beds and becomes part of the water system. Narrow steel channels cross the gravel and empty into a broad, shallow basin cut into an irregular circle.

Water runs through the open channels before reaching the basin. Their straight edges cut across the loose gravel and contrast with the tall planting around them.

Shallow Basin Almost Vanishes Into the Planting

Shallow Basin Almost Vanishes Into the Planting

No raised wall announces this pond. A thin circular steel rim sits close to the gravel and disappears beneath grasses and flowering plants around much of its edge.

The low profile changes the relationship between water and planting. Stems lean over the surface, reflections fill the basin, and the metal reads as a narrow boundary instead of a large garden object.

Grass Grows Across Sweeping Steel Ribbons

Grass Grows Across Sweeping Steel Ribbons

Weathering steel takes its most structural form here. Broad curved ribbons rise, dip, and cross one another above the paths, with strips of turf covering their upper surfaces.

Trees pass through circular openings below the curves, while white flowers and rocks fill the ground between them. Instead of using steel to contain the landscape, the structure lifts sections of green surface above it.

Steel Walls Hold the Flower Bed Above the Gravel

Steel Divides Flowers From the Ground Below

Long steel plates hold a dense flower bed above the pale gravel. Red flowers, white foxgloves, blue blooms, and clipped green plants fill the raised section behind the metal.

Steel strips continue across the foreground, dividing the gravel into large geometric sections. Here, the material shifts from a substantial retaining edge to thin lines set flush with the ground.

Large Panels Become Garden Walls

Large Panels Become Garden Walls

Tall weathering-steel sheets create a solid backdrop behind grasses and scattered perennials. Trees and taller plants remain visible above the panels, while the uninterrupted metal surface gives the lower planting a defined background.

Grasses overlap the panels from both sides, and gravel runs along their base. What appears elsewhere as a thin garden edge has become a freestanding wall several feet high.

Small Steel Forms Sit Among Gravel and Flowers

Small Steel Forms Sit Among Gravel and Flowers

A small steel bowl sits low among gravel, orange flowers, grasses, and scattered stems, with its rim close to the surrounding ground.

Curved steel strips continue through the gravel behind it. Unlike the straight channels seen earlier, these lines bend through the planting and echo the circular form of the bowl.

Curved Ribs Create a Passage Through the Planting

Curved Ribs Create a Passage Through the Planting

Massive steel ribs rise from the gravel and bend overhead, turning the material into garden architecture. Several arches repeat along the route, creating an open passage through the planting.

Birch trees, grasses, verbena, yarrow, and orange flowers grow between the structures. Some trunks pass through the openings while the steel curves above them, putting plants both inside and outside the framework.

The post One Material Is Doing Most of the Hard Landscaping in These Gardens appeared first on Homedit.

Forget the Traditional Rectangular Mirror, These Shapes Make the Wall More Interesting

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Most mirrors follow the furniture beneath them. A wide vanity gets a wide rectangle, a narrow console gets a smaller one, and the frame becomes another set of straight lines on a wall already shaped by cabinets, counters, doors, and trim.

Forget the Traditional Rectangular Mirror, These Shapes Make the Wall More Interesting

Changing the mirror shape can change that entire arrangement without changing the furniture. A stretched teardrop can fill a narrow wall, an irregular frame can break up a long vanity, and a cluster of mirrors can occupy the space where artwork might otherwise go. Deep frames, carved edges, metal surrounds, and built-in lighting push the effect further.

The examples here move far beyond the basic rectangle. Some borrow shapes from sculpture and jewelry, while others use ovals, circles, asymmetric curves, faceted edges, and woven frames to make the mirror one of the first things you notice in the room.

Asymmetric Wood Frame Spans Both Sinks

Asymmetric Wood Frame Spans Both Sinks

Two white vessel sinks sit on a long marble counter, yet the mirror above them does not follow the width or rectangular shape of the vanity. Its wood frame rises into a broad asymmetric form, with rounded corners and a top edge that slopes toward one side.

The shape bridges both sinks without creating two separate grooming stations. Wood also appears against the brass faucets, navy cabinet fronts, and white stone, making the mirror frame part of the bathroom palette rather than a thin border around reflective glass.

Black Frame Extends From Mirror to Floor

Black Frame Extends From Mirror to Floor

The frame is doing as much work as the glass in this design. A tall irregular mirror occupies one side, while the black structure sweeps around it, widens near the base, and continues all the way to the floor.

Nothing about the piece depends on a standard wall-hung format. Its height gives it the function of a floor mirror, but the broad black surround turns the empty area around the reflection into part of the design. Against the pale marble wall, the silhouette can be read from across the room.

Rounded Mirror Echoes the Shape of the Basin

Rounded Mirror Echoes the Shape of the Basin

A compact wash area pairs a rounded mirror with a freestanding basin that has its own curved, tapered profile. Neither piece uses the straight geometry found in a standard vanity-and-mirror combination.

Two pendant lights descend in front of the mirror rather than taking up wall space on each side. Their ribbed glass shades overlap the reflection, while the pale mirror frame connects the upper half of the composition to the white basin below.

Mirror, Shelf, and Base Form a Single Wall Piece

Mirror, Shelf, and Base Form a Single Wall Piece

A circular mirror appears at the center of a much larger dark structure, but the surrounding form prevents it from reading as a conventional round mirror. Broad folded sections spread above and below the glass, reaching toward the floor and ceiling.

A live-edge wood shelf crosses the mirror near its lower third and projects out far enough to function as a console. Combining reflection, storage surface, and sculptural support removes the usual gap between a wall mirror and the furniture placed beneath it.

Thick White Frame Gives an Oval More Depth

Thick White Frame Gives an Oval More Depth

Oval mirrors are not new, but this one gains much of its presence from what happens outside the glass. A wide white surround has a rough, carved surface, and concealed light behind it throws a second oval onto the dark wall.

That illuminated outline makes the frame appear detached from the surface. The vertical proportion also works with the narrow vanity below, while black faucets and a dark countertop preserve the contrast around the pale frame.

Faceted Metal Continues From Mirror to Console

Faceted Metal Continues From Mirror to Console

A smooth oval reflection sits inside a thick polished metal frame that bends around the glass with an uneven, almost folded edge. The console below takes the same material in another direction, using sharp facets and projecting planes instead of curves.

Placed together, the two pieces occupy the wall as one composition. The mirror supplies the height and rounded form, while the console creates a broad reflective base below it.

Deep Octagonal Frame Builds Around a Circle

Deep Octagonal Frame Builds Around a Circle

At the center is a round mirror, but several angled bands around it create an octagonal outer profile with far more depth than a flat frame. The repeated edges pull the mirror forward from the pale wall and give it an architectural quality.

Two tall pendant lights flank the frame and stop near the black stone vessel sinks. The arrangement uses symmetry without relying on the standard formula of a wide rectangular mirror stretched across a double vanity.

Irregular White Mirrors Spread Across the Wall

Irregular White Mirrors Spread Across the Wall

There is no central mirror commanding this wall. Several reflective openings are scattered above the long cabinet, each surrounded by a thick white frame with rippled edges and an uneven surface.

Different sizes keep the group from becoming a row. The largest piece stretches across the center, while smaller forms move outward and upward, filling the wall in much the same way a collection of sculptural art would.

Ornate Mirrors Overlap Into One Vertical Composition

Ornate Mirrors Overlap Into One Vertical Composition

Traditional carved frames appear here, but not in a traditional arrangement. Separate mirrors with curved black borders overlap from floor level toward the ceiling, with portions of one frame crossing in front of another.

The result sits somewhere between a gallery wall and one oversized mirror. Reflections become fragmented across different shapes, while the dark frames create a continuous line against the architectural wallpaper behind them.

Teardrop Mirror Fills a Narrow Strip of Wall

Teardrop Mirror Fills a Narrow Strip of Wall

Width is not what gives this mirror its impact. The glass stretches downward from a round brass mounting point into a long tapered form, using a narrow section of wall that might not accommodate a broad rectangular mirror.

Its brass edge follows the entire teardrop outline, with a horizontal detail crossing the lower section. Against the muted pink wall, the silhouette remains clear without requiring a thick decorative frame.

Distorted Silver Frames Reflect the Moss Wall

Distorted Silver Frames Reflect the Moss Wall

Two polished mirrors sit beside a large preserved-moss installation, and neither follows a perfect geometric outline. Their silver frames bulge and pinch around the reflective centers, producing shapes closer to smooth stones than circles.

Position matters here as much as form. The smaller mirror catches the green wall opposite it, placing another patch of foliage inside the silver frame. Reflection becomes part of the composition, carrying the strongest material on the wall into another part of the room.

Tall Shield-Shaped Mirror Breaks Through the Forest Wallpaper

Tall Shield-Shaped Mirror Breaks Through the Forest Wallpaper

Tree-pattern wallpaper covers the wall from the vanity to the ceiling, so a plain rectangle would add another rigid outline to an area packed with vertical lines. The mirror takes a different shape, widening near the top, pulling inward through the middle, then curving into a narrow base above the faucet.

A brass frame separates the glass from the black-and-white tree pattern, while the carved detail at the top gives the mirror a furniture-like finish. The three-globe light fixture follows the mirror’s width rather than the vanity’s, keeping attention on the narrow center of the wall.

Full-Length Mirror Adds a Shelf Without Adding a Console

Full-Length Mirror Adds a Shelf Without Adding a Console

This tall mirror uses an irregular polygon rather than the expected full-length rectangle. Angled lower corners widen the glass near the bottom, while rounded metal joints interrupt the slim copper-toned frame.

The small shelf projecting from the left side changes what the mirror can do. Keys, perfume, jewelry, or another small object can sit beside the glass without requiring a console underneath, which makes the design suited to an entry or narrow dressing area where floor space needs to remain open.

Faceted Frames Give Round Mirrors Sharp Edges

Faceted Frames Give Round Mirrors Sharp Edges

Round glass sits at the center of these two bathroom mirrors, but the outer frames refuse a smooth circle. Dark tinted glass forms a series of points and angled sections around each reflective center, creating an almost jewel-cut profile against the charcoal wall.

The mirrors sit above separate floating vanities with white vessel sinks, and matching wall lights frame each station. Keeping the sinks round while giving the mirrors faceted outer edges prevents the repeated shapes from becoming a row of circles.

Braided Frame Pushes Past the Usual Round Mirror

Braided Frame Pushes Past the Usual Round Mirror

A thick braided frame changes the outline of this mirror before the glass even becomes part of the composition. The woven material rises into two rounded lobes at the top, narrows through the middle, then expands around the lower edge, producing a silhouette closer to a sculptural object than a standard framed mirror.

It also creates a strong contrast above the formal black fireplace. Fluted wall panels and carved mantel details rely on straight lines and symmetry, while the pale woven frame introduces an oversized soft form at the center. The mirror becomes the feature connecting the fireplace to the lighter furniture and accessories around it.

The post Forget the Traditional Rectangular Mirror, These Shapes Make the Wall More Interesting appeared first on Homedit.

She Made Plain Linen Napkins Look Like Vintage Grain Sacks Without Sewing

Sourced content from: https://www.homedit.com/she-made-plain-linen-napkins-look-like-vintage-grain-sacks-without-sewing/

Vintage grain sacks are known for their simple stripes set against coarse linen or canvas, a combination that also fits fall tables filled with natural textures and muted seasonal colors. Homedit contributor Brittney Smart recreated the look on plain linen napkins, turning a basic table staple into something suited to fall gatherings and Thanksgiving dinner.

She Made Plain Linen Napkins Look Like Vintage Grain Sacks Without Sewing

Instead of sewing stripes into the fabric, Smart used a fabric marker and metal ruler to create the pattern. Blue gives her version its vintage grain-sack look, while red, brown, or deep orange can tie the napkins to pumpkins, pinecones, autumn leaves, and other fall table decor.

Plain linen provides the grain-sack base

Plain linen provides the grain-sack base

Natural linen already has much of the texture associated with old grain sacks, so the napkin does not need another fabric treatment. Its beige color and visible weave provide the background, while the existing fold lines can help locate the stripe pattern.

Scrap cardboard sits beneath the napkin before marking. Besides creating a firm work surface, it protects the table if the fabric marker passes through the linen.

Tape keeps the fabric from shifting

Tape keeps the fabric from shifting

Painter’s tape secures the edges to the cardboard, keeping the napkin square while the stripes are drawn. The fabric needs to stay in place since even a small shift can throw off a line running from one edge to the other.

Keeping the napkin attached to the backing also makes it easier to work across the full width without holding one side with a free hand.

Flattening the linen matters before marking it

Flattening the linen matters before marking it

Wrinkles and loose fabric can catch the marker tip and interrupt a straight stripe. Here, the linen is smoothed against the cardboard before the ruler goes down.

Ironing is not required for this version. In fact, the original project keeps the fold lines visible because they provide reference points for positioning the grain-sack stripes.

Start the stripe pattern from the center

Start the stripe pattern from the center

A long metal ruler becomes both the measuring tool and straightedge. Rather than drawing from one side toward the other, the project places the first stripe in the center and builds the pattern outward.

The marker runs against the ruler while the linen remains taut underneath. Starting at the center also makes it easier to keep multiple stripes balanced across the napkin.

Lift the ruler instead of sliding it

Lift the ruler instead of sliding it

Fresh fabric-marker ink can collect along the ruler’s edge. Sliding the ruler across the linen risks transferring that ink onto an area meant to remain untouched.

Lifting it straight from the fabric avoids dragging the wet edge across the napkin. The ruler can then be wiped before it returns to the linen.

Space the second stripe beside the center line

Space the second stripe beside the center line

The second line begins to create the recognizable grain-sack pattern. Its narrow spacing from the first stripe matters more than covering a large section of fabric, since traditional grain-sack designs often rely on restrained linear markings.

Blue also stands out against the natural linen without covering its weave. Most of the original material remains visible, which keeps the finished napkin from looking painted.

Clean the ruler between every stripe

Clean the ruler between every stripe

Marker residue on the metal edge can create unwanted streaks when the ruler is repositioned. Wiping it after each pass keeps the next stripe confined to its intended location.

With only a few lines forming the entire design, stray marks would be far more noticeable than they would be in a dense painted pattern.

Let the marker set before using the napkins

Let the marker set before using the napkins

Once the final stripe is complete, the marker needs time to dry. The original instructions call for leaving the napkin for 24 hours before washing or using it.

That waiting period finishes a project that otherwise requires little alteration to the linen itself. No hems are opened, fabric panels added, or decorative trim sewn into place.

Stripe color can change the table setting

Stripe color can change the table setting

Blue gives the linen a familiar vintage textile look, but the same method works with other colors. The original project suggests red, brown, and deep orange, all of which can shift the napkins toward a different fall palette.

Changing the marker also makes it possible to coordinate the napkins with dishes, tablecloths, or seasonal centerpiece colors without changing the construction.

Three narrow stripes complete the grain-sack effect

Three narrow stripes complete the grain-sack effect

The finished version uses three parallel blue stripes against the natural linen. Their narrow width leaves enough untouched fabric for the weave and beige tone to remain part of the design.

Three equal lines are not the only option. Thin-thick-thin arrangements, two wider stripes, or one broad stripe can produce different versions of the same grain-sack reference.

Folded beside white plates, silver flatware, pumpkins, and pinecones, the striped linen reads as part of the fall table rather than a separate craft project. The surprising part is how little of the original napkin had to change to get there.

The post She Made Plain Linen Napkins Look Like Vintage Grain Sacks Without Sewing appeared first on Homedit.

51 Unique End Tables That Add The Perfect Living Room Finish

Sourced content from: https://www.home-designing.com/unique-side-and-end-tables-for-sale

In front of the couch lies the coffee table; to the side the end table. Small, handy and often overlooked, the end table can add a point of interest or finishing touch to your living room’s interior. Have a lounge full of travel souvenirs? Place your latest read on an Arc de Triomphe table to relive your trip to France. Can’t be bothered reaching for your coffee or tea? Bring the tabletop closer to you with a convenient C-shaped design. Feel your living room furniture is a bit on the dull side? Spice it up with a small side table sculpted to look like an elegant peacock. Take a gander at our top 51.

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These Rooms Look Ready for Fall Without a Pumpkin or Autumn Leaf in Sight

Sourced content from: https://www.homedit.com/these-rooms-look-ready-for-fall-without-a-pumpkin-or-autumn-leaf-in-sight/

Fall decorating does not have to begin with pumpkins, leaf garlands, or a box of seasonal decorations pulled from storage. Some rooms already contain the colors and materials associated with the season through furniture, textiles, wood, and paint.

These Rooms Look Ready for Fall Without a Pumpkin or Autumn Leaf in Sight

Burnt orange, olive green, mustard, brown, walnut, and amber appear throughout these spaces, often against darker walls. Instead of adding fall objects to every surface, the seasonal connection comes from combinations that can remain in the room long after October.

Mustard and Olive Meet Against a Rust-Colored Backdrop

Mustard and Olive Meet Against a Rust-Colored Backdrop

Mustard upholstery fills the foreground, while an olive green sofa sits across the room against a large rust-brown wall panel. Those three colors create a fall palette before a single seasonal accessory enters the space.

Dark walnut strengthens the combination through the large tray table and shelving behind the green sofa. Black seating, gray upholstery, and a muted rug keep the mustard and olive from taking over the entire room.

Burnt Orange Covers the Wall Instead of the Accessories

Burnt Orange Covers the Wall Instead of the Accessories

Burnt orange occupies the lower half of the bedroom wall, giving the room a large block of autumn color without relying on small decorations. Dark green flooring and furniture beside the bed push the palette toward deeper earth tones.

Blue and teal keep the scheme from becoming an orange-and-brown fall setup. The upholstered headboard mixes teal foliage with orange botanical forms, while Bird of Paradise flowers repeat both the orange and green already present around the bed.

Mustard Works as a Small Accent Against Blue-Green

Mustard Works as a Small Accent Against Blue-Green

Deep blue-green walls surround a bed built from pale wood, gray bedding, and muted blue textiles. Mustard appears on a single pillow near the headboard rather than across the whole room.

That small amount is enough because the color sits against several cooler shades. Pale wood adds another natural tone, while the wall lights bring a soft amber glow around the bed without introducing another decorative object.

Walnut Makes a Gray Media Wall Feel Less Cold

Walnut Makes a Gray Media Wall Feel Less Cold

Gray walls and black cabinet frames could push this media room toward a cooler palette, but broad walnut fronts change the balance. The grain runs across the long base cabinet, floating wall unit, and tall storage cabinet at the right.

Light built into the cabinetry adds a golden tone beneath the shelf and inside the glass-fronted section. Wood, gray, and soft amber light create a restrained fall combination without changing the furniture for the season.

Rust Upholstery Takes Over a Dark Room

Rust Upholstery Takes Over a Dark Room

Rust-colored seating becomes the main source of color in this room, set against charcoal and near-black walls. The contrast makes the upholstery read closer to burnt orange than red, especially beside the brown, stone, and muted cream accents.

Bare branches in the large planter reinforce the late-season look without using artificial fall leaves. Brass wall lights spread pools of amber light across the dark wall, adding another warm element above the seating.

Olive Green Can Carry a Fall Palette Without Orange

Olive Green Can Carry a Fall Palette Without Orange

Olive upholstery anchors this seating area against a deep green wall, proving that a fall palette does not need orange in every room. Brown, cream, gray, and green cover most of the furniture and floor, with brass legs bringing in a muted metallic accent.

The oversized wall covering introduces layered gray, beige, and brown shapes behind the sofa. Marble tables and a patterned rug keep the darker greens from making the room feel heavy, while the green glass vessel repeats the sofa and wall colors on a much smaller scale.

Caramel Velvet Does Most of the Seasonal Work

Caramel Velvet Does Most of the Seasonal Work

Caramel-colored velvet wraps the curved sofa and returns on the pillows across the cream sofa opposite it. The color has enough visual weight to establish the palette even though the walls, rug, curtains, and larger upholstered pieces remain pale.

Amber glass vessels on the dark console pick up the same brown-gold range without matching the sofa. Black tables and furniture frames sharpen the contrast, while white flowers keep the arrangement from becoming a collection of expected fall colors.

Gold accents on the table

These rooms offer another route into fall decorating: work with colors already associated with the season instead of adding objects that have to come down a few weeks later. At Homedit, we have covered interior design ideas since 2008, and combinations such as olive with mustard, rust with charcoal, or walnut with gray show how seasonal influence can come from the room itself.

The post These Rooms Look Ready for Fall Without a Pumpkin or Autumn Leaf in Sight appeared first on Homedit.

51 Chaise Lounge Chairs That You And Your Decor Will Love

Sourced content from: https://www.home-designing.com/buy-indoor-outdoor-chaise-lounge-chairs-for-sale-online

In need of a little relaxation? Then again, who isn’t?! Chaise lounge chairs can help you get the rest you deserve while infusing your decor with the style it craves. Homes both big and small can benefit from the unmatched style that one of these chairs can bring. Whether you want to add a pop of color with a bold red lounge chair, refresh your exterior with pool chaise lounge chairs, or carve out a quiet reading nook with small chaise lounge chairs, we have you covered. Our collection doesn’t only have a chair for every room and every style, but every budget too. So, say goodbye to outdated furniture and say hello to modern lounging!

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Gardeners urged to perform vital check when cutting hedges back this September – or risk breaking the law

Sourced content from: https://www.idealhome.co.uk/garden/garden-advice/check-hedges-in-september-before-cutting

Most gardeners will be well aware that between 1 March and 31 August you should never cut back your hedges, as it is bird nesting season in the UK. However, garden and wildlife experts want you to delay picking up the strimmer a little longer in September and perform this vital check.

Anyone who wants to attract birds to a garden should be aware of how the Wildlife and Countryside Act 1981 protects them. Under this act, it is illegal to deliberately damage or remove a bird’s nest in your garden, with the offender sometimes facing an unlimited fine or even prison. This is why you should always avoid cutting your hedge during nesting season.

While nesting season technically comes to an end on 1 September, it is also the moulting season for birds, and during this period they may take refuge in your hedges. So, before you start cutting, experts want you to make this check first.

Why should I check my hedge in September?

Even the best hedging materials for a garden need cutting back, and this is especially true if you’ve chosen fast-growing hedging for quick privacy. But if a bird has taken a fancy to your garden, you should always check for nests before completing any work.

Wooden garden furniture nestled against a green hedge.

(Image credit: Future PLC/ Rene Stoeltie)

‘You should still check hedges for birds after August because some late-breeding bird species may still be raising their chicks. The breeding season can extend later into the summer for some birds, with individual pairs still having eggs, nestlings or dependent fledglings in and around hedgerows,’ says Lucy Taylor, a wildlife expert at Vine House Farm.

‘More birds may shelter in hedgerows during moulting season because they are more vulnerable to predators at this time, as growing new feathers uses large amounts of energy and can affect their ability to fly.

‘Hedges provide moulting birds with a hiding place where they can remain until they finish shedding and replacing old feathers. It is also important to note that birds are much quieter during the moulting season, as they stop singing or calling to avoid attracting attention to themselves. This may make it less obvious that they are hiding in garden hedges.’

When checking to see if birds are nesting in your hedges, watch to see if birds repeatedly fly in and out of the same spot, are carrying nesting materials into your hedge like twigs or moss and lastly, listen out for chirping birds from inside the hedgerow. If you spot these features, birds are likely nesting in your hedge, and any work should be postponed.

winter berry-bearing with bird

(Image credit: Alamy)

What to do if birds are nesting in your hedge

‘If you spot an active nest in your hedge, simply do not cut the hedge. Postpone your trimming work until the nest is empty and the birds have fledged,’ says Melissa Quinney, gardening expert at Cabin Master.

‘It’s better to be safe and wait a few weeks than to risk causing harm or facing severe legal penalties. A little patience and a careful check are all it takes to keep your garden thriving and our feathered friends safe.’

Instead, monitor your hedge from a distance, and when there are no signs of birds nesting, check again and proceed from there.

Shop nesting boxes

If you want to provide somewhere safe in your garden for birds to make a home, consider investing in a nesting box.

While cutting hedges keeps your garden tidy and neighbours happy, make sure you are keeping your garden birds safe and happy, too.

Before & After: This D.C. Row House Unlocked Three New Rooms Without Adding Any Square Footage

Sourced content from: https://www.domino.com/renovation/washington-dc-row-house-renovation-zoe-feldman-demi/

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In this 1917 Italian Renaissance Revival rowhouse in Washington, D.C., there wasn’t necessarily anything wrong with the second floor. It just wasn’t doing very much. A guest bedroom sat largely unused, the family room felt cramped, and storage was in short supply. For the young family living there, valuable square footage had essentially become a pass-through on the way to somewhere else.

So when they tapped designer Zoë Feldman to rethink the level, they didn’t necessarily want to expand; it was more important to make every inch count. “They wanted a true primary suite, substantially better storage, and a family room the household would actually use,” says Feldman, who was enlisted for her DEMI service, which targets smaller, full-room projects rather than heavy construction. Working alongside BarnesVanze Architects, who had renovated the first floor the year prior, and Falcon Construction, Feldman transformed the former guest room into that much-wished-for configuration, including a library-inspired hangout, an expansive primary ensuite, and an enviable walk-in closet. She even managed to squeeze in a laundry room.

The result is a lesson in getting more from the space you already have. “Start planning a design by considering behavior, not square footage,” says Feldman. “Be honest about why a room is not being used, then design it in a way that will make your life easier.” Here’s exactly how she made that happen.

Your Built-Ins Can Do More Than One Job

white bedroom pre-renovation
The guest quarters, before. Courtesy of Zoë Feldman Design
primary suite with purple walls
Cola Wall Paint, Farrow & Ball; Quietly Violet Millwork Paint, Benjamin Moore; Elude Wall Sconce, Riloh; Baldwin Nightstand, Faithful Roots; Artwork, Locke Contemporary; Sphere Brass Knobs, Lo & Co.

The former guest quarters had one major thing going for it: access to a balcony. What it didn’t have was the storage necessary to function as the couple’s primary bedroom. Feldman wrapped the room in custom millwork, adding dedicated organizational space for clothing and shoes without blocking circulation or access to the outdoors. But hidden among all those cabinets is something you won’t find in the average wardrobe: a coffee and wine bar.

purple bedroom with purple millwork
Cola Wall Paint, Farrow & Ball; Quietly Violet Millwork Paint, Benjamin Moore; Sphere Brass Knobs, Lo & Co.
primary ensuite dressing area and tub
Au Lait Wall Paint, Farrow & Ball; Anders Pendant Light, Pinch; Lamis Handwoven Wool Rug, Lulu and Georgia; Garret Footstool, Soho Home; Umi End Table, Four Hands; Eleanor Knobs, Schoolhouse.

“The couple really wanted to make the bedroom a retreat where they could do more than just go to sleep at the end of the day,” says Feldman. She carved out a section for a beverage station, allowing them to make coffee in the morning or pour a glass of wine at night without heading downstairs. Close the doors and the whole thing disappears, which is a key feature throughout the floor. 

Give an Awkward Feature a Promotion

workout room, pre-renovation
The multipurpose room, before. Courtesy of Zoë Feldman Design
large ensuite with fireplace and soaking tub
Lattice 6 Floor Tile, Zia Tile; Artwork by Claude Lawrence, Locke Contemporary; Castle 02 Wall Sconces by Jason Miller, Roll & Hill; Ludlow Plumbing Fixtures, Waterworks; Maui Freestanding Bathtub, Concretti; Capa Pendant Light, L’aviva Home; Mesa Verde Window Treatments, The Shade Store; Amara Stool, Neue Maison; Cats & Jasmine Candlesticks, Lolo Interiors.
ensuite with wood vanity and marble top
Lattice 6 Floor Tile, Zia Tile; Castle 02 Wall Sconces by Jason Miller, Roll & Hill; Maui Freestanding Bathtub, Concretti.

The adjoining bathroom presented a different puzzle: a long footprint with an existing fireplace right in the middle of it. “Rather than treating it as an obstacle, we used it as the focal point,” says Feldman. A new limestone mantel gives it more presence, while matching custom walnut vanities on either side solved the once-awkward placement. Earthy, tactile materials like handmade zellige tile, tadelakt walls, and honed marble, complement a sculptural concrete soaking tub. There’s a lot happening texturally, but a tight palette of warm neutrals and burnt-sugar tones keeps the mix from feeling busy. The common denominator, Feldman says, is that the finishes all have a “warm, mineral quality and a deliberately imperfect surface.”

primary ensuite with glassed in shower
Lattice 6 Floor Tile, Zia Tile; Castle 02 Wall Sconces by Jason Miller, Roll & Hill; Ludlow Plumbing Fixtures, Waterworks; Cats & Jasmine Candlesticks, Lolo Interiors.

Add Color Somewhere Unexpected

family room pre-renovation
The family room, before. Courtesy of Zoë Feldman Design
family room with shelves and blue sofa
Au Lait and India Yellow Paint, Farrow & Ball; Sofa, Maiden Home; Androgyne Lounge Table, Audo Copenhagen; Mazarine Hang Small Chandelier, The Urban Electric Co; Hulot Console Table, vanCollier; Vintage Danish Lounge Chair by N.A. Jørgensen, 1stDibs; Cabinet Maker’s Picture Lights, McGee & Co; Handwoven Wool Rug, Akara Rugs.

Across the hall is where everyone wants to spend time. The clients imagined themselves reading, working, hanging out, and living among their books and objects there, which led Feldman to old-school libraries for inspiration.

Custom open shelving provides space for their collection, whereas concealed cabinetry hides the less display-worthy stuff. The built-ins were fabricated by local maker Griffin Feeney; they soften the room’s corners and improve the path through the compact space.

Aaglass partition and transom-like details defines the entrance without blocking sunlight from the hall. With that much walnut, however, Feldman knew drenching the walls in another saturated shade could make the small room feel heavy. Instead, she kept the walls light and moved the big color moment overhead. “The yellow ceiling was a leap,” Feldman says. But concentrating the saffron shade above eye level lends the warmth and surprise of an all-over paint treatment without the walls closing in.

Steal Square Footage From a Room That Can Spare It

blue tiled shower
Borrowed Light Paint, Farrow & Ball; Skylight Shower Wall Tile, Portuguese Blue and Skylight Floor Tile, Zia Tile; Ludlow Plumbing Fixtures, Waterworks; Varina Oval Mirror, Uttermost; Somerset Knobs, Schoolhouse.

One of the biggest changes to the family’s routine came from one of the smallest spaces in the renovation. Rather than finding an entirely new place for laundry, Feldman and the team reconfigured the existing guest bathroom (seen here) off the family room and borrowed a sliver of its footprint. The utility space contains the machines, storage, and fold-away drying racks in a compact footprint. When the racks aren’t being used, they disappear, allowing the tiny area to “function fully and then recede,” says Feldman. Moving laundry onto the same floor as the bedrooms eliminated the schlep that comes with, say, a basement setup. “Often, the answer is not a larger addition,” says Feldman. A few highly-specific interventions can make all the difference.

The post Before & After: This D.C. Row House Unlocked Three New Rooms Without Adding Any Square Footage appeared first on domino.

I have a tiny one-bed flat, and these are the 6 clever home buys I’ve spotted in the Argos sale that will make my space more stylish and orderly

Sourced content from: https://www.idealhome.co.uk/all-rooms/argos-big-red-event-small-home-picks

Argos is hosting a huge sale right now, and if you have a small home, it’s great news for you, as I’ve spotted so many clever bargains that promise to make your tiny space tidy, functional and stylish.

Whether you’re looking for clever clutter-busters, the latest home decor trends, the best cleaning products, or kitchen appliances, Argos is genuinely one of the best places to look – especially when you have the option of delivery or free in-store pickup.

Right now, the Argos Big Red Event is offering hundreds of home essentials at discounted prices, from the best air fryers to the best mops. However, I’ve dug up the best home buys for a small space so you don’t have to worry about skimping on style or sacrificing space.

Habitat Harriet Coffee Table with tucked-in accompanying pouffes with a diamond-pattern rug in the background

The Habitat Harriet Coffee Table is currently half price and is my top pick. (Image credit: Argos)

As a certified member of the tiny homes club (I live in a small one-bed flat with my partner), I’m always looking for furniture that has two functions. So, when I spotted the Habitat Harriet Coffee Table and Pouffes – Natural (was £210, now £105 at Argos), was half price, I knew it was just the sort of thing I was looking for.

The clever Harriet coffee table has pull-out stools that create extra seating in your living room. I love hosting friends and family but frequently find I never have enough seating. Something like this is perfect for those who find themselves in similar situations. You can use the coffee table every day, and the stools stay tucked underneath until you need them. It also helps that this table and stool set looks incredibly stylish, too.

Here are a few more clever home buys of a similar vein that you can shop in Argos’ latest huge sale event.

Small homes can look just as stunning and stylish as a larger space – you just need to get a little creative when it comes to clutter and storage.